There are numerous situations on television series where the actors are at odds with the writers. Usually over the way actors treat the scripts.
But here’s what these actors don’t understand:
If you are respectful of the writers, if you present your concerns in a positive way, if you don’t antagonize them you will only be helping YOURSELF.
I’ve been in both situations — casts that were lovely and casts that were nightmares. Usually in those cases it’s one monster (no names but see the picture) who poisons it for everybody).
On the shows where the actors were lovely the writers bent over backwards to give them great stuff. They were also incredibly protective of the actors and their characters. More protective sometimes than they were themselves. We made sure characters didn’t come off too stupid or insensitive. We made sure every actor was being serviced. We’d say so-and-so has gone three pages with really nothing to do. Let’s give her a big joke.
Listen actors — we don’t need YOU to tell us you need more jokes. We don’t need YOU to tell us your character is being unnecessarily heartless. But if you do, if you throw the script back in our face, if you just tank scenes you don’t like you do so at your own peril. Yes, we may fix something you screamed about. But in the room you’ll have no advocates. No one will want to stay one minute later to see if we might give you a better joke. We’re professionals and we’ll turn out professional product. But don’t expect any allegiance. Don’t expect anyone to fight on your behalf. Don’t expect one of the writers to be bothered by a story point and have it keep him awake for one minute.
On the other hand, treat us with respect, consider our feelings, think of us as partners not enemies, and we’ll walk through walls for you. Like I said, YOU’RE the one who most benefits. And all it takes is simple human decency. Well, simple for some actors.
from By Ken Levine
But here’s what these actors don’t understand:
If you are respectful of the writers, if you present your concerns in a positive way, if you don’t antagonize them you will only be helping YOURSELF.
I’ve been in both situations — casts that were lovely and casts that were nightmares. Usually in those cases it’s one monster (no names but see the picture) who poisons it for everybody).
On the shows where the actors were lovely the writers bent over backwards to give them great stuff. They were also incredibly protective of the actors and their characters. More protective sometimes than they were themselves. We made sure characters didn’t come off too stupid or insensitive. We made sure every actor was being serviced. We’d say so-and-so has gone three pages with really nothing to do. Let’s give her a big joke.
Listen actors — we don’t need YOU to tell us you need more jokes. We don’t need YOU to tell us your character is being unnecessarily heartless. But if you do, if you throw the script back in our face, if you just tank scenes you don’t like you do so at your own peril. Yes, we may fix something you screamed about. But in the room you’ll have no advocates. No one will want to stay one minute later to see if we might give you a better joke. We’re professionals and we’ll turn out professional product. But don’t expect any allegiance. Don’t expect anyone to fight on your behalf. Don’t expect one of the writers to be bothered by a story point and have it keep him awake for one minute.
On the other hand, treat us with respect, consider our feelings, think of us as partners not enemies, and we’ll walk through walls for you. Like I said, YOU’RE the one who most benefits. And all it takes is simple human decency. Well, simple for some actors.
from By Ken Levine
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