There are fewer and fewer comic strips these days. Not surprising considering there are fewer and fewer newspapers. And the one still hanging on are shrinking.
Yet fans of comic strips are DIEHARD fans. Whenever I bring up the topic on this blog I get a flood of comments; most very passionate. And I think that’s great. Keep 'em coming.
There is something about comic strips that instills fierce loyalty. Next to politics I think our country is most divided over Calvin & Hobbs. But TV series can only dream of such loyalty.
Since I no longer get a daily paper (I used to for years but they just started stacking up unread – I followed the news through the internet like everybody else), I rarely see the comic page. But when I do I’m usually disappointed. The jokes just aren’t that funny.
Were they funnier when I was a kid and there were way more strips? Probably not. My sense of humor was less than razor-sharp when I was 10. But I loved them. I loved the draftsmanship. I also loved the link to the past. Most of these strips were created before I was born. There was a sense of history and legacy to them. It was kind of cool that my dad and I both loved Popeye as a kid.
At one time, when I was in high school, I thought having a nationally syndicated comic strip would be a nifty way to make a living. I was a pretty fair cartoonist back then. In researching it more closely I learned that it was extremely hard to enter the field. Very very few new strips broke through.
But that wasn’t my biggest deterrent. It was the fact that I would have to come up with seven new jokes a week. Every week. Who could possibly survive under that pressure? Now of course, in television, I had to come up with seven jokes every fifteen minutes and do it for decades. But at the time it was a daunting task.
I did however get a comic strip into one paper. It was the local Woodland Hills weekly paper and this is when I was in high school. My strip was about teenagers (duh!), and I delivered a finished panel (all in pen & ink just like the big boys) every week. The strip ran for maybe three months. But then I was downsized. The paper was cutting back and my strip was a real luxury. I was making $5 a month.
Ultimately, I think I made the smarter choice to go into screenwriting. But it breaks my heart to see the slow decline of comic strips. At its best it’s a wonderful art, and today more than ever, we need all the creative outlets we can find. Good Grief!
from By Ken Levine
Yet fans of comic strips are DIEHARD fans. Whenever I bring up the topic on this blog I get a flood of comments; most very passionate. And I think that’s great. Keep 'em coming.
There is something about comic strips that instills fierce loyalty. Next to politics I think our country is most divided over Calvin & Hobbs. But TV series can only dream of such loyalty.
Since I no longer get a daily paper (I used to for years but they just started stacking up unread – I followed the news through the internet like everybody else), I rarely see the comic page. But when I do I’m usually disappointed. The jokes just aren’t that funny.
Were they funnier when I was a kid and there were way more strips? Probably not. My sense of humor was less than razor-sharp when I was 10. But I loved them. I loved the draftsmanship. I also loved the link to the past. Most of these strips were created before I was born. There was a sense of history and legacy to them. It was kind of cool that my dad and I both loved Popeye as a kid.
At one time, when I was in high school, I thought having a nationally syndicated comic strip would be a nifty way to make a living. I was a pretty fair cartoonist back then. In researching it more closely I learned that it was extremely hard to enter the field. Very very few new strips broke through.
But that wasn’t my biggest deterrent. It was the fact that I would have to come up with seven new jokes a week. Every week. Who could possibly survive under that pressure? Now of course, in television, I had to come up with seven jokes every fifteen minutes and do it for decades. But at the time it was a daunting task.
I did however get a comic strip into one paper. It was the local Woodland Hills weekly paper and this is when I was in high school. My strip was about teenagers (duh!), and I delivered a finished panel (all in pen & ink just like the big boys) every week. The strip ran for maybe three months. But then I was downsized. The paper was cutting back and my strip was a real luxury. I was making $5 a month.
Ultimately, I think I made the smarter choice to go into screenwriting. But it breaks my heart to see the slow decline of comic strips. At its best it’s a wonderful art, and today more than ever, we need all the creative outlets we can find. Good Grief!
from By Ken Levine
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