Once again I'm slipping in a ten-year-old Friday Questions post. This has been a crazy month, I need a bit of a break, and I bet 90% of you are reading this for the first time. So stagger back down memory lane with me.
Here are answers to some of your Friday questions.
velvet goldmine wondered this last week:
I know that even shows filled before a live audience sometimes used to "sweeten" them with recorder laughs. But there's this one man's laugh that you hear on TONS of shows from the 70s, from MTM to Taxi. You know the one I mean? First there's a startled "Haw!" as the setup gets underway, then this extended "Haw Haw Haw..." when the joke reaches its zenith.
Why in the world would they keep using this familiar, even annoying laugh? And if by chance it was the same guy at all the tapings -- say, a superfan, or a self-impressed writer -- why wasn't he muzzled?
This is less of an answer than a confirmation. As several people correctly mentioned in the comments section, the distinctive laugh you hear belongs to James L. Brooks (pictured above). It’s less annoying when you realize it’s genuine. And when he laughs at something I’ve said or written, it’s sheer music.
There are also two very distinctive laughers on the last seven years of CHEERS. Phoef Sutton and Bill Steinkellner. I can’t describe them but watch any episode from those middle and later years and you’ll know what I mean.
Jim Stickford asks:
What's the procedure for deciding what particular line to use. I saw Carl Reiner in an interview years ago and he said one of the reasons he stayed in the writer's room for Your Show of Shows was that he could type, which was a bid deal in the days before computers and photocopiers. When the writers threw out lines, Carl picked the one he liked best and typed it in.
Is there a procedure? Is it decided by the show runner? Do you vote on it?
It’s either the showrunner or the person designated to run the room in the showrunner’s absence. Someone has to have the final say otherwise you have the scene in GODZILLA with all the people running through the streets crazed. Although, wait a minute. It's like that normally.
From Jaime J. Weinman:
Do you prefer writing sitcom episodes with a tag before the closing credits (M*A*S*H) or episodes that have no tags and end the episode with the second act (Cheers)?
Also what are the reasons for having tags or not having tags: is it usually network policy (like in the '80s when almost none of NBC's sitcoms used tags), or is it sometimes the showrunner's decision?
Tags are those little two minute scenes at the end of sitcoms. They serve the purpose of rewarding the viewer for staying through the last spot break. Some shows have them, others don’t. It depends on their format and needs of their network. There seem to be fewer today as networks are going more to a three-act format -- again, all in the cause of audience maintenance; none in the cause of better storytelling.
I MUCH prefer writing tags to the teasers we employed on CHEERS. At least with tags you could draw upon content established in the episode and just do a call-back. Teasers were completely independent of the story that followed. The Charles Brothers thought it would be novel and help establish the world of the bar. They were right of course, but teasers were a bitch to pull out of our ass every week.
What’s your question???
from By Ken Levine
Here are answers to some of your Friday questions.velvet goldmine wondered this last week:
I know that even shows filled before a live audience sometimes used to "sweeten" them with recorder laughs. But there's this one man's laugh that you hear on TONS of shows from the 70s, from MTM to Taxi. You know the one I mean? First there's a startled "Haw!" as the setup gets underway, then this extended "Haw Haw Haw..." when the joke reaches its zenith.
Why in the world would they keep using this familiar, even annoying laugh? And if by chance it was the same guy at all the tapings -- say, a superfan, or a self-impressed writer -- why wasn't he muzzled?
This is less of an answer than a confirmation. As several people correctly mentioned in the comments section, the distinctive laugh you hear belongs to James L. Brooks (pictured above). It’s less annoying when you realize it’s genuine. And when he laughs at something I’ve said or written, it’s sheer music.
There are also two very distinctive laughers on the last seven years of CHEERS. Phoef Sutton and Bill Steinkellner. I can’t describe them but watch any episode from those middle and later years and you’ll know what I mean.
Jim Stickford asks:
What's the procedure for deciding what particular line to use. I saw Carl Reiner in an interview years ago and he said one of the reasons he stayed in the writer's room for Your Show of Shows was that he could type, which was a bid deal in the days before computers and photocopiers. When the writers threw out lines, Carl picked the one he liked best and typed it in.
Is there a procedure? Is it decided by the show runner? Do you vote on it?
It’s either the showrunner or the person designated to run the room in the showrunner’s absence. Someone has to have the final say otherwise you have the scene in GODZILLA with all the people running through the streets crazed. Although, wait a minute. It's like that normally.
From Jaime J. Weinman:
Do you prefer writing sitcom episodes with a tag before the closing credits (M*A*S*H) or episodes that have no tags and end the episode with the second act (Cheers)?
Also what are the reasons for having tags or not having tags: is it usually network policy (like in the '80s when almost none of NBC's sitcoms used tags), or is it sometimes the showrunner's decision?
Tags are those little two minute scenes at the end of sitcoms. They serve the purpose of rewarding the viewer for staying through the last spot break. Some shows have them, others don’t. It depends on their format and needs of their network. There seem to be fewer today as networks are going more to a three-act format -- again, all in the cause of audience maintenance; none in the cause of better storytelling.
I MUCH prefer writing tags to the teasers we employed on CHEERS. At least with tags you could draw upon content established in the episode and just do a call-back. Teasers were completely independent of the story that followed. The Charles Brothers thought it would be novel and help establish the world of the bar. They were right of course, but teasers were a bitch to pull out of our ass every week.
What’s your question???
from By Ken Levine
Comments
Post a Comment