Today’s post concerns television specials you might not be able to see. If you have Netflix you’re golden. But even if you don’t, you’ll be able to get the gist. And I’m sure you’ve seen similar TV specials in other places.
The ones I want to focus on are the stand-up comedy specials. Usually about an hour, a big name comic performs in a huge packed auditorium to delirious fans who laugh at everything they say, even if it’s Kevin James doing tired airport people mover jokes. Generally the comics will record two or three shows and cobble together the best performances or reaction (should anyone pee in their pants over airport people mover jokes).
I enjoy watching them. A few big name stand-ups who were comedy darlings at one time are starting to seem a little creaky. Their best specials are behind them. But there are usually flashes of what made them great so it’s time well-spent.
I used to be a big fan of Amy Schumer. Loved her Comedy Central show, thought her early specials were terrific. Then last year I saw her “Leather” special on Netflix. It was atrocious. Lazy, unfunny, just an endless collection of raunchy sex jokes – the kind you hear in frat houses just before everyone pukes. My position on sex jokes is the same as Carl Reiner’s: I don’t mind a sex joke, no matter how raunchy, as long as it’s FUNNY. But sex jokes just for the supposed shock value leaves me flat. And apparently, the Netflix audience agreed. It’s gotten horrible reviews and very few stars in the rating system.
I go back to the “lazy” factor. The entire routine seemed slapped together. Some comics reach a sweet spot where audiences laugh at everything. They don’t have to earn the laughs. You listen to some of Steve Martin’s old comedy albums and if you’re too young to get his tongue-in-cheek persona, you very well may be saying, “What the hell are they laughing at? A guy saying ‘Excuuuuuuuse me’ brings down the house? What the fuck?” Amy must’ve felt she had arrived at that pinnacle and just doing slut jokes and obvious blowjob jokes were enough to keep the flock fed.
But the material was so bad that even many diehards were turned off. And I say that fully expecting a flurry of angry commenters saying “She was fucking hilarious and you don’t know shit!” If you thought the “Leather Special” was great, I’m happy for you and glad you were entertained for an hour. But I bring up the “Leather” special to make a point.
Compare that to the latest John Mulaney Netflix special, “Kid Gorgeous.” He’s had others but I’m choosing that one because it’s a better equivalent in terms of where he and Amy are in their careers. The thing that struck me about this special is that it is packed, every second with good material. You can see how well-crafted it is. Filmed at Radio City in February, he had spent the better part of last year touring. And it shows. I’m guessing that for the hour of material that made it there was probably an hour that didn’t.
It was also refreshing to see that he wrote everything himself. There were some big laughs and wonderfully astute observations. Was it the funniest comedy special of all-time? No. But it was pretty great and one has to admire his professionalism. Is John Mulaney at the point in his career where he doesn’t have to earn every laugh? Considering he filled Radio City Music Hall I’d say he’s getting there. But the fact that he earned them anyway made him all the more impressive.
There are a gazillion stand-up comics out there. The night I did my one (and only) open mic night there were probably forty on that bill alone. Everyone got only five minutes. And I was shocked by how sloppy and lazy most of these young hopefuls were. Jesus. Five minutes. If they can’t do a tight very funny five minutes how do they ever expect to have a career in comedy? They should be studying Mulaney. But his comedy takes a lot of work and effort. My guess is they’re studying Schumer. And my other guess is you’ll never see a Netflix special starring one of them.
from By Ken Levine
The ones I want to focus on are the stand-up comedy specials. Usually about an hour, a big name comic performs in a huge packed auditorium to delirious fans who laugh at everything they say, even if it’s Kevin James doing tired airport people mover jokes. Generally the comics will record two or three shows and cobble together the best performances or reaction (should anyone pee in their pants over airport people mover jokes).
I enjoy watching them. A few big name stand-ups who were comedy darlings at one time are starting to seem a little creaky. Their best specials are behind them. But there are usually flashes of what made them great so it’s time well-spent.
I used to be a big fan of Amy Schumer. Loved her Comedy Central show, thought her early specials were terrific. Then last year I saw her “Leather” special on Netflix. It was atrocious. Lazy, unfunny, just an endless collection of raunchy sex jokes – the kind you hear in frat houses just before everyone pukes. My position on sex jokes is the same as Carl Reiner’s: I don’t mind a sex joke, no matter how raunchy, as long as it’s FUNNY. But sex jokes just for the supposed shock value leaves me flat. And apparently, the Netflix audience agreed. It’s gotten horrible reviews and very few stars in the rating system.
I go back to the “lazy” factor. The entire routine seemed slapped together. Some comics reach a sweet spot where audiences laugh at everything. They don’t have to earn the laughs. You listen to some of Steve Martin’s old comedy albums and if you’re too young to get his tongue-in-cheek persona, you very well may be saying, “What the hell are they laughing at? A guy saying ‘Excuuuuuuuse me’ brings down the house? What the fuck?” Amy must’ve felt she had arrived at that pinnacle and just doing slut jokes and obvious blowjob jokes were enough to keep the flock fed.
But the material was so bad that even many diehards were turned off. And I say that fully expecting a flurry of angry commenters saying “She was fucking hilarious and you don’t know shit!” If you thought the “Leather Special” was great, I’m happy for you and glad you were entertained for an hour. But I bring up the “Leather” special to make a point.
Compare that to the latest John Mulaney Netflix special, “Kid Gorgeous.” He’s had others but I’m choosing that one because it’s a better equivalent in terms of where he and Amy are in their careers. The thing that struck me about this special is that it is packed, every second with good material. You can see how well-crafted it is. Filmed at Radio City in February, he had spent the better part of last year touring. And it shows. I’m guessing that for the hour of material that made it there was probably an hour that didn’t.
It was also refreshing to see that he wrote everything himself. There were some big laughs and wonderfully astute observations. Was it the funniest comedy special of all-time? No. But it was pretty great and one has to admire his professionalism. Is John Mulaney at the point in his career where he doesn’t have to earn every laugh? Considering he filled Radio City Music Hall I’d say he’s getting there. But the fact that he earned them anyway made him all the more impressive.
There are a gazillion stand-up comics out there. The night I did my one (and only) open mic night there were probably forty on that bill alone. Everyone got only five minutes. And I was shocked by how sloppy and lazy most of these young hopefuls were. Jesus. Five minutes. If they can’t do a tight very funny five minutes how do they ever expect to have a career in comedy? They should be studying Mulaney. But his comedy takes a lot of work and effort. My guess is they’re studying Schumer. And my other guess is you’ll never see a Netflix special starring one of them.
from By Ken Levine
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