Readers of this blog know I’m a fan of Howard Stern. Not because he’s so hilariously funny, although he often makes me laugh – but because the guy is so SMART. Recently I caught the interview he did with David Letterman on Dave’s new Netflix show GABBY HAYES INTERVIEWS PEOPLE.
As with his radio show, Howard spoke very candidly and openly about his life.
He and I began our radio careers at roughly the same time. In fact, at one time I think we might have overlapped working in Detroit – me at WDRQ and he at WWWW. We both listened to the radio in our teens and had a desire to be on the air. We both wanted to be funny, and we both realized that we needed something distinctive to stand out. And we both had role models of radio performers we admired and wanted to emulate in some form.
I chose disc jockeys who were masters at humor. Dan Ingram, Robert W. Morgan, Lohman & Barkley, Dick Whittington, Gary Owens, Don McKinnon, Bob Hudson, Dale Dorman. Howard gravitated towardds bombastic talk show host, Bob Grant. (Ironically, I knew Bob Grant. Before his success in New York he did a stint at KABC, Los Angeles when my dad was a salesman there. That’s another thing – Howard and I both had fathers who worked in radio but not on the air. His was an engineer.)
Bob Grant was very refreshing. He was blunt, opinionated, and always honest. It was that honesty more than anything else that Howard responded to. But with originality comes a big risk.
Here again, Howard and I took different paths. I tried to be funny within the system. I felt if I could sound up and fun on a Top 40 station and slip in outrageous comments that I could attract both the listener paying attention and the casual listener. It worked to a certain agree. I got great ratings wherever I went, but because I was distinctive and didn’t have the classic DJ voice I was always hired on the “other” station. So my station was always getting beat in the ratings so there was always upheaval, which is radio-code for mass firings.
Howard steered more towards album-oriented stations where the format was somewhat relaxed. But by being totally different he was really leading with his chin, constantly inviting termination in an industry where security was as rare as diamond rings in Crackerjack boxes. Trust me, as someone who was also in the trenches, what he did took COURAGE. But he had the enormous talent and conviction to stick it out. And it obviously paid off. I got out of radio the minute I could (which proved to be a very wise decision on my part).
In Stern’s interview with Karl Marx he also talks about he conscious decision to evolve over time as he himself has matured. Some fans were not happy and moved on, but it was worth it to Howard to remain honest to who he is. The result is a show as fresh and timely as it was twenty and thirty years ago. Contrast that with Rush Limbaugh. He’s still doing the same tired act and his audience and influence is now minuscule to what it once was.
Will there be another Howard Stern? I don’t think so. What kid today in his right mind would want to go into radio? That’s like wanting to start an Osmonds tribute band. But if you want to use a radio personality as a role model for whatever industry you hope to conquer and you choose Howard, don’t focus on his inflections or the content of his program or the sunglasses, focus on his SMARTS. In that regard he is the King of all Media.
from By Ken Levine
As with his radio show, Howard spoke very candidly and openly about his life.
He and I began our radio careers at roughly the same time. In fact, at one time I think we might have overlapped working in Detroit – me at WDRQ and he at WWWW. We both listened to the radio in our teens and had a desire to be on the air. We both wanted to be funny, and we both realized that we needed something distinctive to stand out. And we both had role models of radio performers we admired and wanted to emulate in some form.
I chose disc jockeys who were masters at humor. Dan Ingram, Robert W. Morgan, Lohman & Barkley, Dick Whittington, Gary Owens, Don McKinnon, Bob Hudson, Dale Dorman. Howard gravitated towardds bombastic talk show host, Bob Grant. (Ironically, I knew Bob Grant. Before his success in New York he did a stint at KABC, Los Angeles when my dad was a salesman there. That’s another thing – Howard and I both had fathers who worked in radio but not on the air. His was an engineer.)
Bob Grant was very refreshing. He was blunt, opinionated, and always honest. It was that honesty more than anything else that Howard responded to. But with originality comes a big risk.
Here again, Howard and I took different paths. I tried to be funny within the system. I felt if I could sound up and fun on a Top 40 station and slip in outrageous comments that I could attract both the listener paying attention and the casual listener. It worked to a certain agree. I got great ratings wherever I went, but because I was distinctive and didn’t have the classic DJ voice I was always hired on the “other” station. So my station was always getting beat in the ratings so there was always upheaval, which is radio-code for mass firings.
Howard steered more towards album-oriented stations where the format was somewhat relaxed. But by being totally different he was really leading with his chin, constantly inviting termination in an industry where security was as rare as diamond rings in Crackerjack boxes. Trust me, as someone who was also in the trenches, what he did took COURAGE. But he had the enormous talent and conviction to stick it out. And it obviously paid off. I got out of radio the minute I could (which proved to be a very wise decision on my part).
In Stern’s interview with Karl Marx he also talks about he conscious decision to evolve over time as he himself has matured. Some fans were not happy and moved on, but it was worth it to Howard to remain honest to who he is. The result is a show as fresh and timely as it was twenty and thirty years ago. Contrast that with Rush Limbaugh. He’s still doing the same tired act and his audience and influence is now minuscule to what it once was.
Will there be another Howard Stern? I don’t think so. What kid today in his right mind would want to go into radio? That’s like wanting to start an Osmonds tribute band. But if you want to use a radio personality as a role model for whatever industry you hope to conquer and you choose Howard, don’t focus on his inflections or the content of his program or the sunglasses, focus on his SMARTS. In that regard he is the King of all Media.
from By Ken Levine
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