Scene from my political play -- with Hudson Long & Cloe Kromwell |
But I guess politics were rattling around in my brain the next day when I participated in the Ruskin Theatre one day-play festival. The idea I came up lent itself to politics, and I figured, as an experiment, I would write a political-themed play.
The writing of it was not that difficult. The current administration is a rather easy target for comedy. I was happy with the finished product although I felt a little distanced from it. Like I said, it’s not the kind of subject matter that really excites me. I was also aware that the shelf-life of topical plays is like eleven minutes. Especially today when every time you turn around Putin’s Puppet is doing something else despicable that you never thought you’d see in your lifetime.
The one thing I didn’t worry about is whether I’d offend anybody. I didn’t care. If you’re going to write a political satire you have to take a stand. And with political plays it seems more important to get your message across than to get laughs. Laughs are a bonus.
The audience response was okay. They laughed where they should have. I suspect I was preaching to the choir. But I just didn’t get any real joy out of the experience. I think there is such a dark cloud hanging over the world right now that theatregoers prefer not to be reminded of it. It’s more than available on TV, radio, and the internet – any form you want – satire, anger, false reporting, analysis, whatever.
In a sense I felt a little like I had cheated the audience. There was nothing NEW I was going to present, no issue they weren’t already familiar with, no fresh perspective. It was a comedy with laughs but it wasn’t fun, if that makes any sense.
I’m glad I did it. I’m always looking to try new things. And there are political play festivals so who knows? There may be more productions. That would be great. In the meantime I think I’ll go back to writing about human foibles. I'm way more comfortable celebrating humanity, or what's left of it.
from By Ken Levine
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