Actor salaries for sitcoms

Here’s a Friday Question that became an entire post.

It’s from Greg:

In an ensemble type show (The Office for example), does each actors salary based on how involved they are in the episode, or is it set per episode. Is Creed paid more when he has a few lines vs when he is basically a recurring (background type) character?

Each actor receives so much money per episode, all agreed upon in advance.  

Salaries for each actor are negotiated separately. The rate can vary depending on whether this is the actor’s first TV series or fourth. Once an actor has been in a series he has a base salary (known as his “quote”). The agent will try to improve on his quote for the new series.

The rates can also vary depending upon the actor’s popularity. Certain actors are audience favorites. They test well. So they can demand more money.

And if the actor is a current “flavor of the month” he might be offered multiple pilots or series. That means a bidding war.

Number of episodes is another issue. Some series regulars make deals for all shows produced. Other, more supporting characters, might be offered 8 of 13, something like that.

And then there are actors who are hired on a freelance basis. They may be a recurring character in the world of the show (say a waitress at the diner they occasionally frequent or a co-worker you see twice a season). The producer is willing to chance that that actor might be booked on something else the week he needs him so he won’t be available. In most of those cases, it’s easier to just write him out rather then make him a series regular. And there is always the danger that he gets a series of his own and is therefore no longer available to you.

You can’t go by the number of lines because for supporting characters that can fluctuate wildly from week to week. He may have a lot to do one episode and three lines the next.

One final thing I should note: Actors make their deals contingent upon approval from the network. In other words, a network can’t fall in love with an actor and then, thinking he has everyone over a barrel, start to negotiate for way more money. Deals have to be signed before the actor reads for the network. This protects the network and studio but it also means a lot more deal making for business affairs. Because if three actors read for every part that means that 2/3rd of them will be rejected and their deals null and void.

It’s pretty cutthroat out there so whatever the actor can get from the studio and network, God bless ‘em.

from By Ken Levine