I won’t be reviewing the Emmys tonight.
Several reasons.
I was going to do it for my podcast but technical issues prevent me from posting it early tomorrow morning. And the whole point is writing and getting it out there as fast as possible so references are still fresh in people’s minds and if any of my jokes happen to be similar to jokes in other reviews you’ll know that's merely coincidental.
But that requires basically staying up all night writing (and then recording).
And I’ll be honest, after almost twenty years I’m just getting tired of doing that. And it’s less about the effort required and more about my diminishing interest in the award shows themselves.
Especially the Emmys.
There are now so many shows that blur the lines between categories that some of the nominations are absurd. There are a couple of series in the "Best Comedy" category that aren’t really comedies at all. Meanwhile, actual quality sitcoms that strive to make you laugh are not even nominated. So what’s the point?
As for the acting nominations, they’re based solely on who is on a hot show not who gave the most outstanding performance. And I understand that, especially since there are now so many series on so many platforms that it’s impossible for voters to see everything, but there are nominees who have no business being there while other extraordinary performers are shut out. I hate when I’m rooting for people to NOT win and that’s what this has become in certain instances. I much prefer to be excited and happy for deserving winners.
Here too it’s the blurring of lines. How are sketch performers who do a multitude of characters from SNL and sitcom actors who play the same character week after week in the same category? Why are certain actors just Academy darlings and get nominated every year no matter what they’re in? And yes, I’m looking at you Jeff Daniels.
What’s the difference between “Reality Competition” and “Structured Reality Program?” LIP SYNC BATTLE is nominated for “Structured.” But it has the word BATTLE right in the title? It’s not a competition? There’s only so much money the SHARK TANK sharks are going to invest. Aren’t the people trying to get that money essentially in competition with each other? Why is SHARK TANK is the “Structured” category.
Some of the nominees for “Best Short Form” are essentially promo pieces for current network shows. Is that in the spirit of the award? For “Outstanding Short Form Variety” these are three of the nominees: BETWEEN THE SCENES – THE DAILY SHOW, CREATING SATURDAY NIGHT LIVE, and THE TONIGHT SHOW STARRING JIMMY FALLON – COVER ROOM. They’re trailers, people. They’re click bait. They’re not Emmy worthy.
Anyway, you get the idea. The last few years have been a slog to review the Emmys and it’s not like I’m getting paid. Tomorrow I may or may not do a brief overview depending on whether I have anything more to say and whether I don’t just turn off the show and watch MONDAY NIGHT FOOTBALL instead.
All that said, good luck tonight to the nominees… that are deserving.
from By Ken Levine
Several reasons.
I was going to do it for my podcast but technical issues prevent me from posting it early tomorrow morning. And the whole point is writing and getting it out there as fast as possible so references are still fresh in people’s minds and if any of my jokes happen to be similar to jokes in other reviews you’ll know that's merely coincidental.
But that requires basically staying up all night writing (and then recording).
And I’ll be honest, after almost twenty years I’m just getting tired of doing that. And it’s less about the effort required and more about my diminishing interest in the award shows themselves.
Especially the Emmys.
There are now so many shows that blur the lines between categories that some of the nominations are absurd. There are a couple of series in the "Best Comedy" category that aren’t really comedies at all. Meanwhile, actual quality sitcoms that strive to make you laugh are not even nominated. So what’s the point?
As for the acting nominations, they’re based solely on who is on a hot show not who gave the most outstanding performance. And I understand that, especially since there are now so many series on so many platforms that it’s impossible for voters to see everything, but there are nominees who have no business being there while other extraordinary performers are shut out. I hate when I’m rooting for people to NOT win and that’s what this has become in certain instances. I much prefer to be excited and happy for deserving winners.
Here too it’s the blurring of lines. How are sketch performers who do a multitude of characters from SNL and sitcom actors who play the same character week after week in the same category? Why are certain actors just Academy darlings and get nominated every year no matter what they’re in? And yes, I’m looking at you Jeff Daniels.
What’s the difference between “Reality Competition” and “Structured Reality Program?” LIP SYNC BATTLE is nominated for “Structured.” But it has the word BATTLE right in the title? It’s not a competition? There’s only so much money the SHARK TANK sharks are going to invest. Aren’t the people trying to get that money essentially in competition with each other? Why is SHARK TANK is the “Structured” category.
Some of the nominees for “Best Short Form” are essentially promo pieces for current network shows. Is that in the spirit of the award? For “Outstanding Short Form Variety” these are three of the nominees: BETWEEN THE SCENES – THE DAILY SHOW, CREATING SATURDAY NIGHT LIVE, and THE TONIGHT SHOW STARRING JIMMY FALLON – COVER ROOM. They’re trailers, people. They’re click bait. They’re not Emmy worthy.
Anyway, you get the idea. The last few years have been a slog to review the Emmys and it’s not like I’m getting paid. Tomorrow I may or may not do a brief overview depending on whether I have anything more to say and whether I don’t just turn off the show and watch MONDAY NIGHT FOOTBALL instead.
All that said, good luck tonight to the nominees… that are deserving.
from By Ken Levine
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