With a healthy dollop of meta, this sitcom was obviously inspired by the recent CBS series, KEVIN CAN WAIT starring Kevin James.
Some background. KEVIN CAN WAIT premiered two years ago and was an instant hit. It was the most successful new comedy of the season. It received a full-season order for the second season months before season one was even over. And CBS initially so wanted Kevin James that they agreed to build a soundstage for him in Long Island so he could do the show practically from home. To say he was the 800 pound gorilla was an understatement. Of course, you build the guy a studio what do you expect when he flexes his creative muscles?
From day one James ran the show. The original creator/show runner quit halfway through season one. James was notorious for rewriting every script.
One of his problems was the chemistry between him and his TV wife, Erinn Hayes. Admittedly, Hayes is not a gifted comedienne. She’s more of a dramatic actress. Anyway, the decision was made to drop her at the end of season one and replace her with Leah Remini. Remini and James were together on KING OF QUEENS. And Remini is much more facile when it comes to comedy. So there definitely were reasons for making the switch. It was a decision approved by CBS and the studio producing the show. Casting changes are not uncommon. We were forced by CBS to let Kevin Kilner go from ALMOST PERFECT (a stupid decision that ultimately killed the show – thanks, CBS).
But in this case, the real problem was how KEVIN CAN WAIT handled it. They decided to kill off the character. That’s pretty severe. They couldn’t say she had to care for her sick mother in California and keep the door open for guest appearances to keep her in the series? Erinn Hayes had fans and the general consensus was that killing her off was excessive and needlessly hostile.
And then in season two her death was completely swept under the rug. There were a few mentions in passing (mostly as jokes). So it was handled in a very callous manner. I don’t have to tell you who made those creative decisions. James dug in his heels and guided the show in season two, deaf to any network, studio, or staff concerns. The result: the ratings went down and CBS cancelled the show after season two.
It takes some doing to go from most successful new comedy to cancellation in one year. (Although Roseanne managed the same feat in the length of time it took to write and post one tweet.)
If you watch a lot of network family sitcoms you’ll see a convention that always strains credibility. There’s always a schlub unattractive dim husband and a hot wife (usually younger) who in real life wouldn’t piss on these dolts if their hair was on fire. Jami Gertz & Mark Addy, Courtney Thorne-Smith & Jim Belushi, Nancy Travis & Tim Allen, and certainly Erinn Hayes & Kevin James (just to name a few).
Actresses will tell you it’s the most thankless role ever. You’re the wet blanket, rarely do you get great jokes, and you have to somehow try to sell that you’re in love with these obnoxious idiots.
So that’s what KEVIN CAN F*** HIMSELF is about. In their words it “explores the secret life of a woman we all grew up watching: the sitcom wife. A beauty paired with a less attractive, dismissive, caveman-like husband who gets to be a jerk because she’s a nag and he’s ‘funny.' What happens when this supporting character is presented as a real person? And what if that person is pissed?”
Should be fun. I know an actress and writing staff who might enjoy working on this show.
from By Ken Levine
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