I must admit, I went into RUSSIAN DOLL with some trepidation. This is the new eight-episode series on Netflix that is getting a lot of buzz. But the premise didn’t seem great to me – GROUNDHOG DAY except the lead character keeps dying and starting over at the same spot. I figured it was like seeing 17 rewrites of the same scene.
But I gave it a try (people I trust because they hate everything liked it, so what the hell?) and was very pleasantly surprised. By the end of episode two I was hooked.
For Natasha Lyonne this was the role and hairstyle of a lifetime. She plays a totally out-there, foul-mouthed, wise-cracking, party girl chain-smoking, hard drinking, drug taking, thrill seeker narcissist with a good heart and DNA laced with mental illness and dysfunction. In other words, as an actress she had something to play.
And she played the crap out of that character.
To flesh out the premise, Lyonne plays “Nadia” who is at her 36th birthday party hosted by her wacky BFF Greta Lee and surrounded by all her Bohemian friends. This takes place in whatever section of Manhattan has converted every room into a loft, even rooms on the ground floor. Each time she wanders off in a new variation that ultimately leads to the kinds of death Wile E. Coyote suffers – falls down stairs, falls into manholes, electrocuted, and my favorite – some giant anvil-like object falls on her head. But each time she returns to “Go” she takes with her the memory of what happened before. And each time elements charge slightly (e.g. there are fewer people at the party).
So slowly she tries to piece together what is happening to her and how to stop it.
At this point, maybe three episodes in, my overriding thought was: “You better RESOLVE this by the end of episode eight. This better not be a cliffhanger after I followed this Shaggy Dog story for four hours!”
Happy to say they do wrap it up. And beyond that I’ll say no more about the plot. But I will say that the storytelling is inventive, intricate, at times very funny, surprising, and you’ll be binging it I guarantee it. The look is rich and glossy. Other standout performances are from Elizabeth Ashley, Jeremy Bobb, and Charlie Barnett. Also points for playing "Alone Again, Or" by Love to end the final episode. One of my all-time favorite groups.
My only warning is Nilsson’s “Gotta Get Up” will become an earworm that will stay in your head for days.
I recommend RUSSIAN DOLL, which could have also been called YOU ONLY LIVE 17 TIMES.
from By Ken Levine
But I gave it a try (people I trust because they hate everything liked it, so what the hell?) and was very pleasantly surprised. By the end of episode two I was hooked.
For Natasha Lyonne this was the role and hairstyle of a lifetime. She plays a totally out-there, foul-mouthed, wise-cracking, party girl chain-smoking, hard drinking, drug taking, thrill seeker narcissist with a good heart and DNA laced with mental illness and dysfunction. In other words, as an actress she had something to play.
And she played the crap out of that character.
To flesh out the premise, Lyonne plays “Nadia” who is at her 36th birthday party hosted by her wacky BFF Greta Lee and surrounded by all her Bohemian friends. This takes place in whatever section of Manhattan has converted every room into a loft, even rooms on the ground floor. Each time she wanders off in a new variation that ultimately leads to the kinds of death Wile E. Coyote suffers – falls down stairs, falls into manholes, electrocuted, and my favorite – some giant anvil-like object falls on her head. But each time she returns to “Go” she takes with her the memory of what happened before. And each time elements charge slightly (e.g. there are fewer people at the party).
So slowly she tries to piece together what is happening to her and how to stop it.
At this point, maybe three episodes in, my overriding thought was: “You better RESOLVE this by the end of episode eight. This better not be a cliffhanger after I followed this Shaggy Dog story for four hours!”
Happy to say they do wrap it up. And beyond that I’ll say no more about the plot. But I will say that the storytelling is inventive, intricate, at times very funny, surprising, and you’ll be binging it I guarantee it. The look is rich and glossy. Other standout performances are from Elizabeth Ashley, Jeremy Bobb, and Charlie Barnett. Also points for playing "Alone Again, Or" by Love to end the final episode. One of my all-time favorite groups.
My only warning is Nilsson’s “Gotta Get Up” will become an earworm that will stay in your head for days.
I recommend RUSSIAN DOLL, which could have also been called YOU ONLY LIVE 17 TIMES.
from By Ken Levine
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