Beware the Ides of Friday Questions.
Unknown has the first FQ:
I just came across the movie Critical Condition on television. I checked the credits, thinking it was directed by Sidney Lumet. I was surprised when I saw David's and your name listed as co-screenwriters with John and Denis Hamill. I don't recall your mentioning this film on the blog. Was your work here similar to Jewel and the Nile? Were you ever on the set?
It was directed by Michael Apted, who did the 7-Up films, Coal Miner's Daughter and Continental Divide-my favorite John Belushi movie. Do you have any positive memories of working on it?
I have no fond memories of it because David and I had nothing to do with that movie ever. As much as we all want to believe if it’s on the internet it’s true, in this case it’s not. Nor was I once the “Dialogue Coach” for FLIPPER (true story – IMDB has since removed it).
I mention this because when you are sick and go to the internet to see what you have and are told it’s some horrible terminal disease that will kill you within a week, you don’t have to believe them. It’s probably an allergy to your neighbor’s cat.
Boomska316 is next.
Ken, I was wondering what you think of this trend of streaming services artificially stretching out the aspect ratios of older shows to make them full screen? I can only assume that someone complained about the black bars on the sides of the screen, but I find it off putting.
I hate anything done to alter a show’s original presentation whether it’s visual or speeding it up. I understand that older shows were not produced with the wider dimensions in mind, but so what? Let’s enjoy them the way they were meant to be shown. It’s not such a hardship to watch something with black bars on the side of the screen, is it? More disconcerting is everybody looking like Shrek.
Here's a question from Peter:
David Mamet has tried to defend the indefensible by saying college admissions procedures are a joke and his friends Felicity Huffman and William H Macy should be forgiven. What do you think about Mamet basically trying to excuse exam fraud just because his friends are involved?
I think it's inexcusable. First off, worthy students are being denied slots because of this. And secondly, great values to be teaching your kids.
We live in an age of entitlement. Partly because people are willing to just look the other way.
Felicity Huffman KNEW she was doing something wrong and something illegal. I'm glad she got caught. And as for David Mamet, it's people like him that have put us in this horrible political situation we're in right now. Forget justice, ignore facts, reward greed and dishonesty. Would it surprise you to learn David Mamet is a big Trump supporter? I could care less what David Mamet says or thinks about anything.
From Jen from Jersey:
When you and Isaacs wrote sitcoms, did you have Assistant writers too? If not, how were you able to write the dialogue so quickly for 20+ episodes?
Starting on CHEERS we dictated scripts so yes, we indeed had a writers’ assistant in the room. Note: "Writers Assistant" is the new, more PC way of saying "Secretary." And since this was before computers became the norm our assistants would take shorthand.
It took a special person to get everything down in shorthand and then accurately type it up. Throughout our career we had some nutty writers’ assistants but also some sensational ones. We could not have written our scripts so quickly were it not for Sue Herring, Lana Lewis, Ruth Horne, Nancy Koppang, Barry Zajac, Katy Pentland, Sherry Falk, and Linda Silverthorn (who was mentioned extensively in Ronan Farrow’s second NEW YORKER expose on Les Moonves).
And finally, Marka wonders:
Did they film the Eddy tricks before the filming, without anyone on the set, in case the tricks didn't work out during the live run?
Occasionally but most of the time we did them with the audience present. We usually asked Eddie’s trainer, Mathilda DeCagny beforehand if the trick we proposed was easily done. Mathilda, by the way, was the most loving animal trainer I’ve ever met. All tricks were learned by positive reinforcement.
And one final note on Eddie, his real name was Moose.
What’s your Friday Question? Leave it in the comments section. As always, thanks so much for your FQ’s.
from By Ken Levine
Unknown has the first FQ:
I just came across the movie Critical Condition on television. I checked the credits, thinking it was directed by Sidney Lumet. I was surprised when I saw David's and your name listed as co-screenwriters with John and Denis Hamill. I don't recall your mentioning this film on the blog. Was your work here similar to Jewel and the Nile? Were you ever on the set?
It was directed by Michael Apted, who did the 7-Up films, Coal Miner's Daughter and Continental Divide-my favorite John Belushi movie. Do you have any positive memories of working on it?
I have no fond memories of it because David and I had nothing to do with that movie ever. As much as we all want to believe if it’s on the internet it’s true, in this case it’s not. Nor was I once the “Dialogue Coach” for FLIPPER (true story – IMDB has since removed it).
I mention this because when you are sick and go to the internet to see what you have and are told it’s some horrible terminal disease that will kill you within a week, you don’t have to believe them. It’s probably an allergy to your neighbor’s cat.
Boomska316 is next.
Ken, I was wondering what you think of this trend of streaming services artificially stretching out the aspect ratios of older shows to make them full screen? I can only assume that someone complained about the black bars on the sides of the screen, but I find it off putting.
I hate anything done to alter a show’s original presentation whether it’s visual or speeding it up. I understand that older shows were not produced with the wider dimensions in mind, but so what? Let’s enjoy them the way they were meant to be shown. It’s not such a hardship to watch something with black bars on the side of the screen, is it? More disconcerting is everybody looking like Shrek.
Here's a question from Peter:
David Mamet has tried to defend the indefensible by saying college admissions procedures are a joke and his friends Felicity Huffman and William H Macy should be forgiven. What do you think about Mamet basically trying to excuse exam fraud just because his friends are involved?
I think it's inexcusable. First off, worthy students are being denied slots because of this. And secondly, great values to be teaching your kids.
We live in an age of entitlement. Partly because people are willing to just look the other way.
Felicity Huffman KNEW she was doing something wrong and something illegal. I'm glad she got caught. And as for David Mamet, it's people like him that have put us in this horrible political situation we're in right now. Forget justice, ignore facts, reward greed and dishonesty. Would it surprise you to learn David Mamet is a big Trump supporter? I could care less what David Mamet says or thinks about anything.
From Jen from Jersey:
When you and Isaacs wrote sitcoms, did you have Assistant writers too? If not, how were you able to write the dialogue so quickly for 20+ episodes?
Starting on CHEERS we dictated scripts so yes, we indeed had a writers’ assistant in the room. Note: "Writers Assistant" is the new, more PC way of saying "Secretary." And since this was before computers became the norm our assistants would take shorthand.
It took a special person to get everything down in shorthand and then accurately type it up. Throughout our career we had some nutty writers’ assistants but also some sensational ones. We could not have written our scripts so quickly were it not for Sue Herring, Lana Lewis, Ruth Horne, Nancy Koppang, Barry Zajac, Katy Pentland, Sherry Falk, and Linda Silverthorn (who was mentioned extensively in Ronan Farrow’s second NEW YORKER expose on Les Moonves).
And finally, Marka wonders:
Did they film the Eddy tricks before the filming, without anyone on the set, in case the tricks didn't work out during the live run?
Occasionally but most of the time we did them with the audience present. We usually asked Eddie’s trainer, Mathilda DeCagny beforehand if the trick we proposed was easily done. Mathilda, by the way, was the most loving animal trainer I’ve ever met. All tricks were learned by positive reinforcement.
And one final note on Eddie, his real name was Moose.
What’s your Friday Question? Leave it in the comments section. As always, thanks so much for your FQ’s.
from By Ken Levine
Comments
Post a Comment