First of all, a disclaimer: I really want this show to succeed. I’m a big fan of Mike Schur. I think the world is ready for the next CHEERS. And I believe strongly in multi-camera shows. For all the knocks on multi-camera series, what’s the most successful sitcom in syndication worldwide – and it isn’t even close? FRIENDS. A whole new generation has connected to FRIENDS; a generation that wasn’t even born when it first aired. Like I said, no other show comes close. And FRIENDS is as standard a multi-camera show as there has ever been.
In an attempt to preserve the form and give it some spin, ABBY’S is filmed outside. Still not sure whether that’s a big plus (audience laughter disappears when not contained, and there are the weather problems to contend with) but points for trying something new.
I don’t know how many episodes they’ve filmed, how much they can correct midstream at this point. My guess is most or all of the episodes are now in the can.
As for the execution, it feels like the writers are not really experienced yet in the form. But they’ll learn. The audience will tell them what works and what doesn’t and they’ll adjust accordingly. There are not many opportunities for grooming young writers since there are not many multi-camera shows on the air. Still, that’s just growing pains. All shows need time to find their way.
But in the pilot of ABBY’S they did something that might prove to be their fatal flaw. And for all their reverence of CHEERS they seemed to miss the single most important aspect of it. CHEERS was where “everybody knows your name.” More than anything else it made the customers (and VIEWERS) welcome.
Diane Chambers enters the bar for the first time. She is clearly not the sort of person who frequents that bar. And yet, everyone made her feel at home. Diane essentially was us viewers.
In the pilot of ABBY’S we learn that new customers are not allowed to sit at the bar. They’re not even allowed to sit in chairs just off the bar. New customers are banished to hard benches along the fence and only after a certain amount of time and approval can they earn their way up the ladder. So new customers are essentially dismissed. They don’t want to know your name. It’s not CHEERS, it’s the high school lunch room where only the cool kids sat at the good table.
So let’s say Diane Chambers entered ABBY’S for the first time. Dressed way too formal, clearly a square peg. How would she be treated? My guess: “Excuse me, you can’t sit there. You have to go over to one of those benches.” Not very welcoming.
They also made a point of saying there were 164 rules you had to adhere to. That’s a pretty exclusive club.
ABBY’S ratings were not great for its premier. Chalk that up to all kinds of things (they were up against March Madness, etc) but I think subconsciously that exclusivity might have turned off a lot of viewers.
Hopefully, in the coming weeks the creative team moves away from that and people find and like the show. Or, it’s just me and no one else was bothered by that.
In any event, I wish them well and hope they’ll save a spot at the bar for me.
from By Ken Levine
In an attempt to preserve the form and give it some spin, ABBY’S is filmed outside. Still not sure whether that’s a big plus (audience laughter disappears when not contained, and there are the weather problems to contend with) but points for trying something new.
I don’t know how many episodes they’ve filmed, how much they can correct midstream at this point. My guess is most or all of the episodes are now in the can.
As for the execution, it feels like the writers are not really experienced yet in the form. But they’ll learn. The audience will tell them what works and what doesn’t and they’ll adjust accordingly. There are not many opportunities for grooming young writers since there are not many multi-camera shows on the air. Still, that’s just growing pains. All shows need time to find their way.
But in the pilot of ABBY’S they did something that might prove to be their fatal flaw. And for all their reverence of CHEERS they seemed to miss the single most important aspect of it. CHEERS was where “everybody knows your name.” More than anything else it made the customers (and VIEWERS) welcome.
Diane Chambers enters the bar for the first time. She is clearly not the sort of person who frequents that bar. And yet, everyone made her feel at home. Diane essentially was us viewers.
In the pilot of ABBY’S we learn that new customers are not allowed to sit at the bar. They’re not even allowed to sit in chairs just off the bar. New customers are banished to hard benches along the fence and only after a certain amount of time and approval can they earn their way up the ladder. So new customers are essentially dismissed. They don’t want to know your name. It’s not CHEERS, it’s the high school lunch room where only the cool kids sat at the good table.
So let’s say Diane Chambers entered ABBY’S for the first time. Dressed way too formal, clearly a square peg. How would she be treated? My guess: “Excuse me, you can’t sit there. You have to go over to one of those benches.” Not very welcoming.
They also made a point of saying there were 164 rules you had to adhere to. That’s a pretty exclusive club.
ABBY’S ratings were not great for its premier. Chalk that up to all kinds of things (they were up against March Madness, etc) but I think subconsciously that exclusivity might have turned off a lot of viewers.
Hopefully, in the coming weeks the creative team moves away from that and people find and like the show. Or, it’s just me and no one else was bothered by that.
In any event, I wish them well and hope they’ll save a spot at the bar for me.
from By Ken Levine
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