I thought if might be fun for some of these weekend posts to recommend vintage movies I love that are probably available on streaming services so if you're home alone on Saturday night or looking to kill a couple of hours this might just fill the time nicely. (But if you're in Minneapolis come see my play, OUR TIME and me tonight. Here's where you go for tickets.)
Today's recommendation: BODY HEAT.
I’m going to start talking film noir in a few minutes but let’s cut to the chase – I love BODY HEAT for the sex. That’s why I went to see it, that’s why I went back to see it, that’s why I’m recommending it. There’s noir and great breakout performances but all that is a bonus. And you don't have to worry about getting caught surfing Pornhub.
BODY HEAT, released in 1981, marked the directorial debut of Lawrence Kasdan, who also wrote the film. Today he’s known as Jake Kasdan’s dad but back then he was writing STAR WARS sequels and INDIANA JONES movies – enough Hollywood currency to warrant a directing nod.
The movie is very noir. I don’t actually know the definition of that word but it seems to be the genre that encompasses night, mood, lust, guilt, illicit passion, double-crosses, triple-crosses, seduction, and if really done right – a hopelessly confusing plot. BODY HEAT satisfies all of that plus a lot of nudity!
The film stars William Hurt as Ned Racine, a two-bit lawyer in a small Florida town who meets Matty Walker (Kathleen Turner), an unhappy rich married woman. There’s an instant smoldering connection. They’re both horny, wildly attracted to each other, and share the same penchant for talking like a Raymond Chandler novel.
It’s hot (100 degrees at night), they’re hot (one reviewer actually used the word “slender” to describe her back then), and the heat is never turned down.
In short order Ned and Matty are in her mansion getting it on as often and graphic as possible. You are so wrapped up in the steamy sweaty animal sex that you don’t ask the question, “Hey, if she’s so rich and lives in a mansion, how come she can’t afford air conditioning?”
Matty eventually talks Ned into killing her husband (that’s how good the sex was) and the plot takes off. If this sounds a little like DOUBLE INDEMNITY that’s because it’s almost a direct lift. But you never saw Fred MacMurray giving it to Barbra Stanwyck from behind.
Some notable other performances: Ted Danson as the tap dancing D.A. (this was well before CHEERS) is a riot and Mickey Rourke as an explosives expert (well before he went nuts) is riveting.
The ending gets very confusing and Byzantine so you might want to rewind and replay it a time or two. Just like guys will be rewinding and replaying the first part of the movie twenty times.
BODY HEAT – see it with someone you hope to get lucky with.
BODY HEAT, released in 1981, marked the directorial debut of Lawrence Kasdan, who also wrote the film. Today he’s known as Jake Kasdan’s dad but back then he was writing STAR WARS sequels and INDIANA JONES movies – enough Hollywood currency to warrant a directing nod.
The movie is very noir. I don’t actually know the definition of that word but it seems to be the genre that encompasses night, mood, lust, guilt, illicit passion, double-crosses, triple-crosses, seduction, and if really done right – a hopelessly confusing plot. BODY HEAT satisfies all of that plus a lot of nudity!
The film stars William Hurt as Ned Racine, a two-bit lawyer in a small Florida town who meets Matty Walker (Kathleen Turner), an unhappy rich married woman. There’s an instant smoldering connection. They’re both horny, wildly attracted to each other, and share the same penchant for talking like a Raymond Chandler novel.
It’s hot (100 degrees at night), they’re hot (one reviewer actually used the word “slender” to describe her back then), and the heat is never turned down.
In short order Ned and Matty are in her mansion getting it on as often and graphic as possible. You are so wrapped up in the steamy sweaty animal sex that you don’t ask the question, “Hey, if she’s so rich and lives in a mansion, how come she can’t afford air conditioning?”
Matty eventually talks Ned into killing her husband (that’s how good the sex was) and the plot takes off. If this sounds a little like DOUBLE INDEMNITY that’s because it’s almost a direct lift. But you never saw Fred MacMurray giving it to Barbra Stanwyck from behind.
Some notable other performances: Ted Danson as the tap dancing D.A. (this was well before CHEERS) is a riot and Mickey Rourke as an explosives expert (well before he went nuts) is riveting.
The ending gets very confusing and Byzantine so you might want to rewind and replay it a time or two. Just like guys will be rewinding and replaying the first part of the movie twenty times.
BODY HEAT – see it with someone you hope to get lucky with.
from By Ken Levine
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