This is one of those art films that probably won’t play in your city. But it’ll be on Neflix or HBO soon enough.
It’s a documentary that’s a loving look-back at the music scene in Laurel Canyon in the late ‘60s. I of course, am a sucker for those times.
Jakob Dylan handles the interviews and part of the film is organizing a concert where current stars do cover versions of these iconic hits. Hey, if that’s what it takes to get young people interested in classic
60s music I’m all for it. Plus, a lot of these contemporary artists were great.
From about 1964 until the early ‘70s, the Laurel Canyon section of Los Angeles was a music mecca. The Byrds, the Doors, Brian Wilson, Buffalo Springfield, the Mama’s & the Papa’s, the Association, Joni Mitchell, Frank Zappa, Graham Nash, Carol King, Eric Clapton, Mickey Dolenz (I saved the best for last) are just a few of the groundbreaking artists who huddled in the canyon only a few miles away from the Sunset Strip, where they all played.
Make no mistake; the documentary sugarcoats the whole scene. Yes, it was creatively exciting, and everyone was working on everyone else’s songs. And Mama Cass would cook for you.
But left out was rampant drug use, alcohol abuse, and any other self-destructive behavior young people suddenly with money could get into. There were lots of O.D.’s, lots of future rehabs, and drastically accelerated expiration dates. The good times did not come without a price.
I never learned how to play an instrument so I never crashed that scene. I was also paranoid about drugs. But there’s no denying that it was a magic era and the music produced has stood the test of time. ECHO IN THE CANYON is worth seeing. Even I learned a few things I didn’t know. Wow, Michelle Phillips really slept around.
from By Ken Levine
It’s a documentary that’s a loving look-back at the music scene in Laurel Canyon in the late ‘60s. I of course, am a sucker for those times.
Jakob Dylan handles the interviews and part of the film is organizing a concert where current stars do cover versions of these iconic hits. Hey, if that’s what it takes to get young people interested in classic
60s music I’m all for it. Plus, a lot of these contemporary artists were great.
From about 1964 until the early ‘70s, the Laurel Canyon section of Los Angeles was a music mecca. The Byrds, the Doors, Brian Wilson, Buffalo Springfield, the Mama’s & the Papa’s, the Association, Joni Mitchell, Frank Zappa, Graham Nash, Carol King, Eric Clapton, Mickey Dolenz (I saved the best for last) are just a few of the groundbreaking artists who huddled in the canyon only a few miles away from the Sunset Strip, where they all played.
Make no mistake; the documentary sugarcoats the whole scene. Yes, it was creatively exciting, and everyone was working on everyone else’s songs. And Mama Cass would cook for you.
But left out was rampant drug use, alcohol abuse, and any other self-destructive behavior young people suddenly with money could get into. There were lots of O.D.’s, lots of future rehabs, and drastically accelerated expiration dates. The good times did not come without a price.
I never learned how to play an instrument so I never crashed that scene. I was also paranoid about drugs. But there’s no denying that it was a magic era and the music produced has stood the test of time. ECHO IN THE CANYON is worth seeing. Even I learned a few things I didn’t know. Wow, Michelle Phillips really slept around.
from By Ken Levine
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