Mitchell Hundred leads off.
I've been thinking a lot lately about bottle episodes. Is there any significant difference between the way a writer approaches them and the way they might approach a more conventional script?
Very much so.
A bottle episode is one that is pretty much confined to an existing set. A show will have an annual budget and if they know there will be episodes with helicopters or big crowd scenes or explosions, to offset the cost they’ll plan a simple episode that all takes place in one set and can be produced under-budget.
Best bottle show I ever saw was the BREAKING BAD episode with just Walter and Jesse and a pesky fly in the meth lab.
But you have to consider them almost like one act plays. The dialogue becomes much more important. You can’t rely on action to give you your story turns. Bottle shows are much more character-based.
If I’m a showrunner I assign my bottle show to my best writer.
Scottmc is next.
I just read that movie theaters in August will show five colorized episodes of 'I Love Lucy's as part of a Lucille Ball birthday tribute. Initially, I couldn't see an audience that would pay current movie ticket prices for this. Then I saw that they are going to release them on DVD.(The theatrical showing is a promotion for the DVD.)
Do you think episodes of shows that you worked on could be shown effectively on a big screen? Can you think of any classic situation comedy that could have episodes shown?
I’ve seen episodes of CHEERS and FRASIER I’ve co-written on the big screen and the audience reaction was terrific. But they don’t take advantage of the scope that cinema provides.
Single-camera shows have a better shot, in my opinion. MASH certainly (which started out as a movie). Except for one episode.
“Point of View.”
That’s the episode David Isaacs and I wrote that was seen through the eyes of a patient. On a big screen when you’re seeing giant heads staring down at you it’s very disconcerting. On TV though, on normal sized screens it totally works.
But since MASH was shot on film, every week before we’d release an episode to CBS we would screen it one more time to make sure everything was okay, so I’m very used to seeing pristine 35mm cuts on large movie screens. And they were glorious.
slgc asks:
When you were working in radio, were there any songs about disc jockeys that were memorable or meaningful to you?
You bet.
“W.O.L.D.” by Harry Chapin. It tells of an aging disc jockey, sacrificing his marriage to bounce around the country playing the hits. It’s a great cautionary tale.
And finally, from Anthony:
Ken, I've always wondered why ESPN's production of Sunday Night Baseball is almost exclusively made of up National League matchups, or at least contains one NL team. With few exceptions such as Red Sox vs Yankees (obviously), a game featuring the reining AL pennant winner, or a recent World Series rematch, if you look at the pre-determined SNB schedule for the entire season, it's usually a NL matchup. Is there a business reason for it?
First off, I hadn’t noticed that. But I’m sure ESPN does research on which teams have a national following and programs accordingly. In the National League I’d say the Dodgers, Cubs, Cardinals, Braves, and maybe the Giants have large national following. But unless they’re winning like crazy you’re rarely going to see the Padres on SNB.
In the American League the Yankees and Red Sox both have national followings and maybe the Tigers and Angels, but who else? The Blue Jays? (Yes, in Canada) The Rangers? The Mariners?
When I wrote my book about my year broadcasting for Baltimore a number of publishers said they would have snapped it up if it had been about the Cubs or Cardinals, but there was not enough national interest in the Orioles. Judging by book sales they were right.
So to answer your question, that would be my guess. And please understand the examples I gave were not personal. Don’t write that you were hurt because I didn’t say the Pirates had a fan base. Every team has a fan base. Pittsburgh transplants are everywhere as are Cleveland transplants. But when you go to a Dodger-Diamondback game in Arizona and see that half the crowd is wearing Dodger blue you know THAT is a following.
from By Ken Levine
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