A Zoom reading is no one’s first choice, but during the pandemic it’s that or no theatre at all. And if there’s one plus it’s that everyone in the world can watch instead of the population in the near vicinity of your venue.
But the conditions are less than idea. You’re watching isolated boxes. The actors’ heads are different sizes, volumes are not level, the quality of the audio is mixed, the picture freezes, there are internet glitches, actors forget to unmute themselves or go on or off camera, they can’t feed off the energy of the audience, new audience members join and pop up on the screen, picture quality varies, etc.
And for comedy writers it’s especially hard because we don’t hear the laughs. I liken it to watching really bad softcore porn.
I’ve had a couple of play readings and I must say the actors really rose to the occasion. In one reading all of the actors were in the same room and boy what a difference that made. As Zoom readings go I've been super pleased.
And I did get something out of them. By seeing the number of participants I was able to see whether the audience was locked into the play or whether they bailed. It’s harder to just leave a theatre in the middle of a performance. You have to really hate it. But for a Zoom reading, it’s as easy as clicking off any TV show that no longer holds your interest. And face it, we’ve all developed itchy trigger fingers.
No one left my readings. So forget the laughs, the audience must’ve been invested in the story and characters. I’ll take it. I’ve seen other Zoom plays where an hour in it’s like someone yelled “Fire!” in a theatre.
That’s useful input for the writer. What about the actor? What does he get out of it? Number one, a chance to act. Again, it’s the only game in town. And two, a chance to be seen. Like I said, I’ve watched a number of Zoom readings and have been introduced to some wonderful actors that I might never had known about otherwise.
Another advantage for young writers trying to break in – it’s easy to schedule readings. Get your friends or actors you know and put it together. No arranging for a theatre or conference room. No having to put out snacks. You can record it and go back and analyze what worked and what didn’t. You can also invite as many or as few friends to view it as you like. It’s generally easier to get a Zoom audience. They don’t have to drive to a theatre, park, maybe pay a babysitter, and if the play is awful they can check their email or play games (keep your cameras off).
As time goes by I suspect Zoom plays will get better. We’ll learn how to smooth out the rough edges, the technology might improve, and actors will get better as they get more comfortable with the medium. And my sincerest hope is that by that time, we have a vaccine, can all go back to liver performances, and never have to do another play reading on Zoom again.
from By Ken Levine
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