George starts off with a question about late night rewrites.
Since I assume everyone is fairly tired and burnt out by that stage, do you ever find that the practice is counter-productive?
Yes, and it’s a balancing act. The bottom line is the actors return to the stage the next morning and need a script. To push a day would be hugely expensive and not a real option.
But you’re right. Writers are not at their best after writing for eight or nine straight hours under pressure while sleep deprived and gorging on Red Vines.
When David Isaacs and I were show runners, we would usually send everyone home around 1:00 AM and we had to assemble earlier the next day. The cast would get whatever we had written and new pages throughout the course of the day. It was a little harder on the cast, but scenes that might’ve taken us two hours to write at 2 AM we polished off in a half hour at 10 AM the next morning.
We also tried to manage our time as best we could. If we knew we had a tough new scene to write as part of our work that night we would do it first. That way we got the hard stuff out of the way and then just tweaked whatever else needed tweaking. We wouldn’t bog down on one joke at 8 at night and finally get to the tough stuff at 3 AM.
Late night rewrites are part of the job. But there are ways of utilizing your staff and time for maximum productivity.
Paul D. wonders:
Although "The Dick Van Dyke Show" had done it well, when 'M*A*S*H' was made, flashbacks were jokey things used by jokey sitcoms i.e. how Richie and Fonzie first met.
However, since dramas like "China Beach" and "Lost" started to use the device (along with flash-forwards) so well, do you think you could have successfully used these had it already common at the time? I am thinking in terms of stories/scenes set before the war, not as a way to bring Colonel Blake back.
We never wanted to leave Korea. That was a creative choice. The members of the 4077th were trapped there, and we wanted to convey that feeling. There were home movies and letters, but we never went to the mainland.
There was an episode called “The Party” where relatives of the 4077th put together a stateside reunion and there was some discussion of seeing it. But ultimately we felt that would be wrong. We wanted to preserve that feeling of isolation that everyone in the unit felt.
Now LOST, on the other hand, deliberately wanted to get you off that island. And flashbacks were a great way to learn about each character and provide some variety. But remember, LOST was an hour. A sameness might settle in if you’re in one place for an entire hour.
I still contend, some of the best storytelling in television was done on LOST.
From Kyle Burress:
Having been featured much more in the last couple seasons was there a possibility that Paul Willson would have been bumped up to a regular cast member had Cheers continued?
I was pushing for it. Paul Willson (you see his picture above), was extremely funny. My guess is things would have stayed status quo unless Paul had an offer to go to another series and then the producers would have had to make a decision.
I felt bad because just as we were really starting to showcase him more, the series ended.
But I was and am a huge fan of Paul Willson.
And finally, from Patrick:
Does an Emmy award even matter anymore now that the general public doesn't watch or care? It seems particularly self congratulatory now that the audience for these award shows has fallen away. Back when an Emmy award could save a show from cancellation it seemed to really matter who won what - now with so many shows on so many platforms - do these awards even matter anymore? (Besides to those who won?)
Well, considering the money that networks and studios shell out for Emmy campaigns I’d say yeah, they do still matter.
Of course, I like to think they matter since I have one.
But to the general public? Just check the ratings for Emmy awards. Every year they sink to new lows. So no, I don’t think the general public gives a crap. Especially now when there are shows and stars they’ve never even heard of.
But my Emmy is important.
What’s your Friday Question?
from By Ken Levine
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