Weekend Post

CHEERS IS FILMED IN FRONT OF A LIVE STUDIO AUDIENCE

You hear that at the top of every show. But most people don’t know that after six or seven episodes that almost changed. That disclaimer almost became:

CHEERS IS TAPED IN FRONT OF A LIVE STUDIO AUDIENCE

As has been chronicled almost to death, CHEERS got off to a slow start (if you believe “dead last” is considered slow). And it was an expensive show to produce. All those lemons that Teddy cut each week alone! But one of the big ticket items was that the show was filmed rather than videotaped (like ALL IN THE FAMILY or the more highly regarded SILVER SPOONS). Tape is cheaper than film, it requires one operator per camera not three, is edited primarily during the show not after, easier to light, post production is less complicated, and the turnaround time is less.

Paramount and NBC were losing tons of money on CHEERS and it was on the brink of cancellation. So the studio felt if it could be produced cheaper NBC might have more incentive to pick CHEERS up for a back nine.

They went to Glen & Les Charles and Jimmy Burrows and asked if they’d consider flipping from film to tape. They agreed to at least make a test scene.

A first rate tape crew was enlisted to light the set. Video cameras were wheeled in, and Jimmy directed a scene. It featured everyone from the cast, and there was a lot of movement so we could view every angle of the set. It went through post-production, was color-corrected, and made broadcast-ready.

The Charles Brothers, Jimmy, my partner and I, and our line producer Tim Berry sat down and watched the test.

GAAAAA!

It was horrifying. All the warmth and depth of the set was completely obliterated. The rich colors became day-glo. And this dark, rich bar setting suddenly looked like a police station.

It was like those photos of Britney Spears without make up.

To Charles-Burrows-Charles’ credit the experiment ended right there. I don’t know if a copy of that test still exists. My guess is Glen Charles backed over the tape with his car in much the same way Tony Soprano had Phil Leotardo whacked in the SOPRANOS finale.

Ironically, if they had agreed to switch to the tape format I think it would have caused the show’s cancellation, not prevented it.

Ah, the little decisions producers have to make every day.

 



from By Ken Levine

Comments